Great Arthur House (1956) is the sixteen storey residential block on the Golden Lane Estate with distinctive yellow panels all of which were renewed during a refurbishment in 2014 to replace the curtain wall. The building is Grade II listed and a fine example of the early work of Chamberlin Powell and Bon who, after designing Golden Lane, went on to complete the nearby Barbican Estate. I’ve just added a new architecture photo walk that explores the influential ideas of these two estates to my Photowalks page.
“The friezes helped us to express some of the paradoxes involved in making a piece of city out of a transient festival event” Niall Mclaughlin Architects.
Digital scans of the Parthenon Stones were cast as concrete panels for the exterior of Saddlers House and show athletes getting ready for a festival. The Athletes’ Village fades somewhat into memory as East Village develops and so the design statement of this housing block seems ever more provocative and interesting.
Designed in the Mogul style by British architect A.B. Hubback, the Jamek mosque in Kuala Lumpur opened in 1909 and is one of the oldest mosques in Malaysia. While visiting the Masjid Jamek area earlier this month, it was noticeable just how much work is now being done to preserve older buildings in this part of the city. Notably the grand staircase from the mosque to the river was only re-discovered in 2014 after decades of being covered over as modern Malaysia developed. Having been a visitor to Kuala Lumpur for nearly twenty years, this is the first trip where I have really noticed the architectural heritage and stopped to look.
An image from the summer made while on several walks to the St Pancras Lock area in part visiting these iconic industrial structures which, remarkably, are now luxury flats. Gasholders elsewhere in London have either been removed or are under threat but here is preservation and a new purpose for heritage that has been part of the urban landscape for over 150 years. Their location is within the wider Kings Cross regeneration and I have begun researching how this place-making fits together for a new architecture photo walk in 2019.
Rephotography is the technique of returning to the same spot, same time of year, same lens and field of view after a elapsed time period. In November 2011, I began working on images that showed London’s Olympic Park in the final stages of construction. Some were used in the Making of the Olympic Park book and others became this Olympic Park project but many I’ve only recently started to review again. Seven years is time enough to start to consider which locations might be worth a revisit.